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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>A blog dedicated to the most amazing building material - concrete.</description><title>CONCRETE IS AWESOME</title><generator>Tumblr (3.0; @concreteisawesome)</generator><link>http://concreteisawesome.tumblr.com/</link><item><title>“Candela’s stimulus for the form of Los Manantiales...</title><description>&lt;img src="http://24.media.tumblr.com/aee02bd627f525442c1f27f2dcb77847/tumblr_mls33v1w6k1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;span&gt;“Candela’s stimulus for the form of Los Manantiales Restaurant in Xochimilco, Mexico City came from Colin Faber, who was working with Candela at Cubiertas Ala. Faber had made a rough sketch that somewhat resembled the final form of the restaurant; Candela liked the idea, so he took it and redesigned it into a more graceful shape.&lt;/span&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;span&gt; The form of the shell was a play of the hypar with free curved edges, that is, the edges of the shell are parabolic and free of any edge stiffeners that would conceal the thinness of the shell. The groined vault consists of four intersecting hypars, a structure that he had not yet attempted.&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The Cosmic Rays Laboratory, Candela’s first hypar shell, has curved edges just like those of the restaurant in Xochimilco. Where the laboratory has two saddles, one in front of the other, the restaurant belongs to a type of shell structure called groined vaults. The groins are the valleys in the shell formed at the convergence of the intersecting hypars. The restaurant was not Candela’s first groined vault. He had designed a few others before Xochimilco, but none so striking.”&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/48798584931</link><guid>http://concreteisawesome.tumblr.com/post/48798584931</guid><pubDate>Wed, 24 Apr 2013 17:16:43 -0400</pubDate></item><item><title>“RATP Bus Centre in Thiais by Emmanuel Combarel Dominique...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m24xskHJan1r9d8qoo1_r1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;“RATP Bus Centre in Thiais by Emmanuel Combarel Dominique Marrec is located in the southern suburban area of Paris along wide boulevards and roadway interchanges, in an industrial landscape characterised by a succession of boxes. The existing concrete crust that covers the evolution area of the buses is distorted, modeled to cover the administrative center. The building starts with the deformation of the ground and continues it with an apparently similar material, a sheet of ultra high performance concrete, paradoxical and superlative, 3 cm thick displaying a non slippery texture of dots in relief like a game of “LEGO” (24 mm diameter  x 7 mm high, distant  of 12 mm) contributing to a kinetic morphing which responds to very sophisticated demands : informality of the structure, constant evolution of the plans, density, homogeneity, dematerialization, precision, durability towards emphasized constraints. It ensures a continuity of the ground from the road, to the skin of the façades, the suspended ceilings and the terrace rooftop without any rupture, proposing a merging between the building and its support to a point of confusion. The building has neither a beginning nor an end.”&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/20683057223</link><guid>http://concreteisawesome.tumblr.com/post/20683057223</guid><pubDate>Sat, 07 Apr 2012 20:38:00 -0400</pubDate><category>Emmanuel Combarel Dominique Marrec</category><category>RATP Bus Centre</category><category>Thiais</category><category>Concrete Design</category><category>Concrete Architecture</category><category>Architecture</category><category>Concrete</category><category>Design</category><category>Lego Concrete</category><category>Concrete Innovation</category><category>Concrete Facade</category><category>architecture design</category><category>architecture material</category></item><item><title>“Designed by architect Justo Garcia Rubio, Casar de...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_ly9wvfzHHz1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;span&gt;“Designed by architect Justo Garcia Rubio, Casar de Cáceres bus station is an interpretation then combination of place and tradition. The bus station is located on the children’s way to school which defines its shape as a large loop to evoke the world of children’s dreams. The construction follows the region’s tradition of using one single material for all the building’s elements, in this case, it is a sheet of white concrete, which leads to the special structure, roof and spatial limits of the new transport station”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/16371173884</link><guid>http://concreteisawesome.tumblr.com/post/16371173884</guid><pubDate>Mon, 23 Jan 2012 20:31:43 -0500</pubDate><category>Bus Station Casar de Cáceres</category><category>Bus station</category><category>Justo Garcia Rubio</category><category>concrete</category><category>concrete architecture</category><category>concrete design</category><category>concrete organic</category><category>design</category><category>organic architecture</category><category>Architecture</category></item><item><title>“This elegant evening gown, called “Herself,”...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxnmymiBjv1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;“This elegant evening gown, called “Herself,” is an experiment. By coating the dress with a special concrete mixture (yes, concrete!), designer Catalytic Clothing claims it can, allegedly (stress: &lt;em&gt;allegedly&lt;/em&gt;), suck up nitrogen oxide and CO from the surrounding air. The air-purifying dress is a prototype—barely that, to be honest—but that hasn’t stopped its designers from proclaiming it could clean up the environment simply by entering the room with a flourished twirl. Building on that, there are other CO2-absorbing concretes on the market, so this isn’t entirely without merit. Whether this tiny, sexy little number has enough of the stuff on its surface to actually reduce surrounding emissions by 65%, as claimed, obviously remains to be seen.”&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15687792870</link><guid>http://concreteisawesome.tumblr.com/post/15687792870</guid><pubDate>Wed, 11 Jan 2012 17:11:10 -0500</pubDate><category>Concrete Technology</category><category>concrete dress</category><category>fashion</category><category>fashion design</category><category>concrete design</category><category>design</category><category>Catalytic Clothing</category><category>London College of Fashion</category><category>University of Sheffield</category><category>University of Ulster</category></item><item><title>“The cathedral was designed by local architects John...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lxkmr0AuFV1r9d8qoo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;“The cathedral was designed by local architects John Michael Lee, Paul A. Ryan and Angus McSweeney, collaborating with internationally known architects Pier Luigi Nervi and Pietro Belluschi — at the time, the Dean of the School of Architecture at MIT. Its saddle roof is composed of segments of hyperbolic paraboloids in a manner reminiscent of St. Mary’s Cathedral in Tokyo, which was built earlier in the decade. Due to its resemblance to a large washing machine agitator, the cathedral has been nicknamed “Our Lady of Maytag” or “McGucken’s Maytag”. The building was selected in 2007 by the local chapter of the American Institute of Architects for a list of San Francisco’s top 25 buildings.”&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15611373085</link><guid>http://concreteisawesome.tumblr.com/post/15611373085</guid><pubDate>Tue, 10 Jan 2012 02:13:48 -0500</pubDate><category>John Michael Lee</category><category>Paul A. Ryan</category><category>Angus McSweeney</category><category>San Francisco</category><category>architecture</category><category>concrete ceiling</category><category>concrete architecture</category><category>church</category><category>concrete structure</category><category>design</category><category>architecture design</category><category>structural design</category></item><item><title>“In 1950, when Corbusier was commissioned to design...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxkmib9SdB1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;span&gt;“In 1950, when Corbusier was commissioned to design Ronchamp, the church reformists wanted to clear their name of the decadence and ornamental past by embracing modern art and architecture.  Spatial purity was one of Corbusier’s main focuses by not over complicating the program and removing the typical modern aesthetic from the design. &lt;/span&gt;&lt;span&gt;The walls of Ronchamp give the building its sculptural character. The thick (4’-12’ thick), gentle curving walls act as a practical method of supporting the concrete&lt;/span&gt;&lt;span&gt; and masonry construction, as well as the massive curvilinear roof.  However, the walls do not solely act as structural and sculptural elements; they also act as acoustic amplifiers, especially in the case of the eastern exterior wall that reflects the sound out over the field from the outdoor altar.”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15611248073</link><guid>http://concreteisawesome.tumblr.com/post/15611248073</guid><pubDate>Tue, 10 Jan 2012 02:08:33 -0500</pubDate><category>concrete architecture</category><category>concrete</category><category>lighting</category><category>light</category><category>architecture</category><category>le corbusier</category><category>ronchamp</category><category>Notre Dame du Haut</category></item><item><title>“If the small form is not a problem for you, and is a...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxk2qrXYA71r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;“If the small form is not a problem for you, and is a favorite for you, then the collection of Paolo Lucidi and Luca Pevere will certainly charming in the display as a pendant light lamp in your home. Showing proper lighting on an occasional, tables and counter peninsula, alone or in some composition of, Foscarini introduce models hanging lamps of natural gray concrete with the spirit and technology, are completely original. The challenge is to create an extraordinary leap in scale: from large architectural construction for a little suspension lamp with a thickness of only few millimeters at best point, using a very flexible material. Become confidently, directly creating modern architecture through the visibility of the concrete materials. This is because with the use of special concrete for Aplomb lamp shades, which are mainly fluid in printing and has the effect of the material that is rough but it also shows the exotic impression.”&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15590098355</link><guid>http://concreteisawesome.tumblr.com/post/15590098355</guid><pubDate>Mon, 09 Jan 2012 19:01:00 -0500</pubDate><category>Aplomb Lamps</category><category>Foscarini</category><category>architecture lamps</category><category>concrete design</category><category>concrete lamps</category><category>concrete light</category><category>concrete technology</category><category>design</category><category>lamps</category><category>lighting design</category><category>lights</category><category>pendant lamp</category><category>Paolo Lucidi</category><category>Luca Pevere</category></item><item><title>“If you have ever flown in or out of the John F. Kennedy...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxk2flvkQU1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;span&gt;“If you have ever flown in or out of the John F. Kennedy International Airport in New York, you may have experienced or noticed Eero Saareinen’s&lt;/span&gt;&lt;span&gt; Trans World Flight Center. When Saarinen was commissioned in 1956, the client wanted this building to capture the “spirit of flight,” and as visitors rush to make it to their flight there is no choice but to admire the swooping concrete curves that embraced flyers into the jet age. &lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;span&gt;The structure consists of a shell of reinforced concrete with four segments that extend outward from a central point. The concrete “wings” then unfold on either side of the exterior, preparing for flight. Within the concrete, the structure is reinforced with a web of steel. The large panels of glass &lt;/span&gt;&lt;span&gt;beneath the concrete are also supported with steel, and have a contemporary purple-tint. &lt;/span&gt;&lt;span&gt;These windows also highlight the purpose of the structure, providing views of departing and arriving jets.”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15589717834</link><guid>http://concreteisawesome.tumblr.com/post/15589717834</guid><pubDate>Mon, 09 Jan 2012 18:54:56 -0500</pubDate><category>Eero Saarinen</category><category>JFK</category><category>JFK Terminal</category><category>Airport</category><category>Airport Terminal</category><category>Architecture</category><category>concrete</category><category>concrete architecture</category><category>concrete design</category><category>concrete innovation</category><category>concrete technology</category></item><item><title>“Concrete Speakers by industrial designer Shmuel Linski....</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lxijatctAZ1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;“Concrete Speakers by industrial designer Shmuel Linski. We love the raw and industrial look of these and the idea of using the bare minimum in order to make them work. “The Horn speaker technology that I used in my project, works just great with the concrete, even without the need of padding the speakers from the inside. The Driver, which is located in the top part of the speaker, moves the air through a pipe (96cm long) and into a horn shaped mouth in the bottom of the speaker. The weight (56kg) makes the speakers very solid, and turns these speakers into a unique product, invoking a sense of nirvana for concrete lovers and audiophiles.”&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15550662031</link><guid>http://concreteisawesome.tumblr.com/post/15550662031</guid><pubDate>Sun, 08 Jan 2012 23:04:03 -0500</pubDate><category>concrete design</category><category>concrete</category><category>Industrial Design</category><category>concrete speakers</category><category>Shmuel Linski</category><category>design</category><category>house furniture</category><category>audio</category><category>concrete innovation</category><category>sound</category><category>speakers</category></item><item><title>“With its iconic arches, Toyo Ito’s new library at Tama...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxiivdX1OD1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;span&gt;“With its iconic arches, Toyo Ito’s new library at Tama Art University has the aura of a Romanesque building. But caves, not compression structures, were the architect’s inspiration, so any similarities to European antecedents are merely superficial. And unlike the straightforward, repetitive systems used historically, Ito’s high-tech concrete curves—each one different—tiptoe gracefully in multiple directions throughout the building.&lt;/span&gt;&lt;span&gt;A continuous sheet of concrete, the building’s cavernous ground floor flows down to the north, following the land’s natural slope. It reads as a unified, slanting space accessed through an arcaded gallery. A circulation conduit and multipurpose exhibition hall all in one, this informal gallery has plenty of room for students to congregate around one of its built-in tables or display their work, be it a painting or a performance piece. It also acts as the entry foyer leading into the library, whose ground level contains the circulation desk, an administrative area, a media bar, and magazine display tables topped with glass that parallel the angled floor. A set of stairs shaped like a floating curlicue of concrete ascends to the second floor, where the main reading area flows into open stacks on one side and a two-story block of closed stacks on the other. Unlike downstairs, the floor plane here had to be level for the book trolleys that transport the library’s 10,000 volumes. But overhead, the ceiling tilts up gently, filling the entire second floor with soft, north light.”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15550167699</link><guid>http://concreteisawesome.tumblr.com/post/15550167699</guid><pubDate>Sun, 08 Jan 2012 22:54:49 -0500</pubDate><category>toyo ito</category><category>architecture</category><category>concrete arch</category><category>concrete</category><category>concrete design</category><category>concrete innovation</category><category>Tama Art University Library</category><category>iwan baan</category><category>japan</category><category>concrete architecture</category></item><item><title>“The designer Johan Forsberg has done such a great work in...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxiipwkzAj1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;span&gt;“The designer Johan Forsberg has done such a great work in designing the hand crafted concrete clocks That he designed and produced in his own studio in Gothenburg, Sweden. The concrete clock is so unique and really unthinkable by making a clock out of concrete, out of the box thinking and creation but the result is just beautiful. The engine behind Forsberg Form is based on a desire to discover new angles of approach in testing and expanding the boundaries of possibilities one can accomplish with a material. Every product produced has its very own unique recipe which includes specially sourced sea sand from the öresund seabed, the stretch of water which separates Sweden and Denmark, as part of the ingredients.”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15549994105</link><guid>http://concreteisawesome.tumblr.com/post/15549994105</guid><pubDate>Sun, 08 Jan 2012 22:51:32 -0500</pubDate><category>concrete clock</category><category>concrete</category><category>concrete design</category><category>architecture</category><category>clock</category><category>Industrial Design</category><category>Johan Forsberg</category><category>design</category></item><item><title>“The Concrete Wall (Concrete Wallpaper) collection is...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lxi5vmKco71r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;“The Concrete Wall (Concrete Wallpaper) collection is designed by photographer Tom Haga based in Stavanger,Norway. The Concrete Wall collection is the result of photographing raw and refined concrete walls, raw cinder block walls and even grafitti, in locations right across Norway. The imagery used in this unique wallpaper is based on high-resolution photography and custom manipulation. No pattern is ever repeated, something that results in a very realistic finish. Depending on your personal wishes, we can make the wallpaper either lighter or darker, or even add a specific colour cast. The Concrete Wall collection is a high-quality vinyl wallpaper (approx. 350 g/m2 heavy, PVC coated non-woven). It is available up to 125cm (4,1 feet) in width. Rolls can be made to up to 25m (82 feet) in length. Important: No pattern is ever repeated!”&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15534385596</link><guid>http://concreteisawesome.tumblr.com/post/15534385596</guid><pubDate>Sun, 08 Jan 2012 18:14:08 -0500</pubDate><category>concrete design</category><category>concrete wallpaper</category><category>wallpaper</category><category>home design</category><category>home decoration</category><category>concrete image</category><category>architecture</category><category>concrete material</category><category>building material</category><category>concretewall</category><category>norway</category></item><item><title>“US Beton is a contemporary fossil; it can contain...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxgykqzWYs1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;span&gt;“US Beton is a contemporary fossil; it can contain precious information about our Time. Like an architectural building, a USB stick is about space and storage capacity. Like an architectural building, USBéton is made out of concrete.”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15499979085</link><guid>http://concreteisawesome.tumblr.com/post/15499979085</guid><pubDate>Sun, 08 Jan 2012 02:38:49 -0500</pubDate><category>concrete design</category><category>concrete usb</category><category>concrete technology</category><category>industrial design</category><category>concrete</category><category>concrete innovation</category><category>kix berlin</category><category>us beton</category></item><item><title>“The phæno science centre building in Wolfsburg is a...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lxgnu1n3M91r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;“The phæno science centre building in Wolfsburg is a fantastic one. It’s design and function show in a perfect manner how close together fantasy and science actually are. Resting on its ten cone-shaped “feet”, the concrete structure spanning 154 meters seems to almost hover in the air, creating an aura which makes you want to step into this time-machine and take off. Designed by the Iraq-born architect Zaha Hadid, the imposing structure sits enthroned high above street-level. The exhibition space, resting on conic supports and sublimely illuminated, emerged as the victorious project from an international competition staged in 2000. The London-based architect has devised a home for phæno that breaks with many conventions and that liberates the area beneath it as a kind of urban space in the form of a covered artificial landscape with gently undulating hills and valleys. Since November 2005 now, the futuristic apparition has been raising eyebrows in amazement and making eyes gleam with awe among passers-by.”&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15489109039</link><guid>http://concreteisawesome.tumblr.com/post/15489109039</guid><pubDate>Sat, 07 Jan 2012 22:46:49 -0500</pubDate><category>zaha hadid</category><category>The Phaeno Science Center</category><category>Wolfsburg</category><category>Concrete</category><category>organic concrete</category><category>architecture</category><category>architecture design</category><category>concrete innovation</category><category>futuristic</category><category>concrete architecture</category></item><item><title>“Although the search for infallible concrete is not new,...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxgnap8mDq1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;“Although the search for infallible concrete is not new, the development of self-healing bacteria concrete is. By embedding calcite-precipitating bacteria into traditional concrete mixtures, this material will hopefully “heal” cracks that result from stress. Developed by Delft University of Technology, this self-healing bacteria concrete was created by use of nanotechnology. If implemented into everyday life, this marvelous material would save significant amounts of money in damage control.”&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15488498366</link><guid>http://concreteisawesome.tumblr.com/post/15488498366</guid><pubDate>Sat, 07 Jan 2012 22:35:11 -0500</pubDate><category>concrete</category><category>concrete heal</category><category>self-healing</category><category>self-healing concrete</category><category>concrete technology</category><category>concrete innovation</category><category>architecture</category><category>building material</category><category>concrete parasite</category><category>nanotechnology</category><category>TU Delft</category></item><item><title>The concrete is an emerging fashion! Remember the concrete USB...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxg7nlnvA01r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;span&gt;The concrete is an emerging fashion! Remember the concrete USB Flash Drive,&lt;/span&gt;&lt;span&gt; which looked heavily out-of-the-box? Now, imagine a Coffee Machine made of cement. Well, it does exist, and looks mystically enigmatic. Israeli design student Schmuel Linkski came up with this concrete-encased Lavazza unit, which makes a bold description of the appliance’s durability. &lt;/span&gt;&lt;span&gt;Linkski explains his vision behind why concrete, “Concrete in the kitchen, not only as a wall or decorative part, I wanted it to be a desirable consumer product.” But, wouldn’t it be too heavy to handle, and one doesn’t except it to be just a decorative item. What’s your take?”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15471117451</link><guid>http://concreteisawesome.tumblr.com/post/15471117451</guid><pubDate>Sat, 07 Jan 2012 16:57:20 -0500</pubDate><category>Concrete Coffee Machine</category><category>Coffee Machine</category><category>Concrete Design</category><category>kitchenware</category><category>Schmuel Linkski</category><category>Concrete Lavazza</category><category>design</category></item><item><title>“The new MUMUTH Music Theatre, designed by Ben van Berkel...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lxg71enA1x1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;span&gt;“The new MUMUTH Music Theatre, designed by Ben van Berkel of the renowned Dutch architecture firm UNStudio following an international competition with 212 entries, has already formed the Austrian contribution to the Venice Biennale of Architecture. &lt;/span&gt;&lt;span&gt;The free-flowing space of the foyer is made possible by a spiraling constructive element that connects the entrance to the auditorium and to the music rooms above, thus welding together ‘with a twist’ the three levels of this side of the building. The twist is in fact a massive concrete construction which was one of the most challenging we ever realized – more difficult to achieve even than the twists in our recently completed museum for Mercedes-Benz. The dimensions of this particular twist necessitated far greater precision and the use of self compacting concrete which was pumped up from below instead of poured down from above as is the usual method.”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15470434705</link><guid>http://concreteisawesome.tumblr.com/post/15470434705</guid><pubDate>Sat, 07 Jan 2012 16:43:00 -0500</pubDate><category>Architecture</category><category>Austria</category><category>Concrete</category><category>Graz</category><category>Mumuth</category><category>Music Performing Arts</category><category>Theater</category><category>Un Studio</category><category>concrete innovation</category><category>concrete technology</category><category>Architecture</category><category>architecture design</category><category>design</category></item><item><title>“A total of 3,250,000 cubic yards (2,480,000 m3) of...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxf3zepymE1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;&lt;span&gt;“A total of 3,250,000 cubic yards (2,480,000 m&lt;/span&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;span&gt;) of concrete was used in the Hoover dam before concrete pouring ceased on May 29, 1935. In addition, 1,110,000 cubic yards (850,000 m&lt;/span&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;span&gt;) were used in the power plant and other works. More than 582 miles (937 km) of cooling pipes were placed within the concrete. Overall, there is enough concrete in the dam to pave a two-lane highway from San Francisco to New York.&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Concrete cores were removed from the dam for testing in 1995; they showed that “Hoover Dam’s concrete has continued to slowly gain strength” and the dam is composed of a “durable concrete having a compressive strength exceeding the range typically found in normal mass concrete.”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15443327920</link><guid>http://concreteisawesome.tumblr.com/post/15443327920</guid><pubDate>Sat, 07 Jan 2012 02:40:00 -0500</pubDate><category>Hoover Dam</category><category>Concrete</category><category>Concrete Design</category><category>Concrete Construction</category><category>Franklin Roosevelt</category><category>Concrete Innovation</category><category>John Savage</category></item><item><title>“Foster+Partners has designed a dining table named Arc,...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lxf3hcNh7t1r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;“Foster+Partners has designed a dining table named Arc, inspired by the temporary fabric structures, which are increasingly used in contemporary architectural design, and here shape the base of this soft, fluid table. &lt;span&gt;The base, made of an innovative material composed by cement and organic fibre, is resistant and elastic at the same time, and lends itself to complex structures. It is also waterproof, and the mass-coloured base in white and two tones of grey, ensures the colour stays fresh throughout its lifespan. These materials allow outdoor usage.”&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15443007678</link><guid>http://concreteisawesome.tumblr.com/post/15443007678</guid><pubDate>Sat, 07 Jan 2012 02:29:00 -0500</pubDate><category>Norman Foster</category><category>Concrete Table</category><category>ARC Table</category><category>Concrete design</category><category>industrial design</category><category>organic furniture</category><category>organic concrete</category><category>industrial design</category><category>architecture</category><category>concrete innovative</category></item><item><title>“Arguably the most interesting aspects of the church are...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_lxf2y7MD541r9d8qoo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;“Arguably the most interesting aspects of the church are found in the methods of construction, beginning with a wigwam made of 112 tree trunks. Upon completion of the frame, layers of concrete were poured and rammed atop the existing surface, each around 50cm thick. When the concrete of all 24 layers had set, the wooden frame was set on fire, leaving behind a hollowed blackened cavity and charred walls.”&lt;/em&gt;&lt;/p&gt;</description><link>http://concreteisawesome.tumblr.com/post/15442649874</link><guid>http://concreteisawesome.tumblr.com/post/15442649874</guid><pubDate>Sat, 07 Jan 2012 02:18:07 -0500</pubDate><category>Concrete</category><category>Peter Zumthor</category><category>Zumthor</category><category>Bruder Klaus Chapel</category><category>Concrete technology</category><category>architecture</category><category>architecture design</category><category>concrete innovation</category><category>concrete design</category><category>germany</category></item></channel></rss>
